This is a common warning in certain circles that co-parenting a canine companion post-separation is ill-advised. Experts frequently claim such setups hinder former couples from finding closure, create logistical nightmares, lead to tension, and become annoying across the board. As it turns out, in a revelation fit for a streaming movie, it reportedly leads to the dogs themselves to become depressed.
Not to downplay the emotional well-being of animals – countless people observe their profound sensitivity. For a prime example in dog sorrow, consider another performance. I firmly believe that a dog like Merv, a spirited little dog brought to life by a talented dog named Gus, would have a hard time adapting to life in two homes. The idea of basing an entire Christmas romance on such a setup is sustainable is debatable at best.Standard Holiday Fare
Fairness demands noting, Merv, written by its screenwriters and helmed by director Swale, doesn't pretend to be anything more than its premise. This is a seasonal offering from a major tech-and-media conglomerate – the complexity is limited. The plot unfolds as straightforward: former spouses Russ, played by Charlie Cox and Anna, portrayed by Zooey Deschanel, confronting that their individual funk is surpassed by their dog's, embark on a cheer-up vacation to a luxury pet hotel. Once there, as expected, they will undoubtedly rediscover the idea that they belong with each other. The supporting cast – featuring Chris Redd, Jasmine Mathews, and others – fulfill roles quirky, thinly written, or broadly comic. Visually carries the feel of a streaming service original, with a Christmas setting that is visibly contrived – exemplified by fake snow clinging to verdant foliage as a warm climate doubles as a wintery Boston.
Where the Film Shines
How these familiar elements merge into a pleasant experience hinges on the actors' work and an acceptance of cinematic comfort food. On the latter point, Merv knows its audience – individuals who browse regularly for dog videos. It provides a wealth of scenes focused on the pet. The primary selling point is the dog, and though it results in some stilted moments between the pet's "lines" and human reaction, the movie does offer canine party antics, pet moping, and, ultimately, a tail-wagging resolution.
Where It Wobbles
This level of success cannot be applied for the romantic plot. The tone vacillates between emotional depth, zany antics, formulaic romance, and physical comedy, failing to master a single genre. No blame falls on the actor playing Russ, who is willing to embrace the silliness and cringe inherent in the dog resort scenario. He brings a endearing lack of ego that supplies a significant portion of the appeal for this ostensibly perfect couple. Her co-star Deschanel, as is her trademark, imparts a certain millennial quirkiness that will click for some but not others. Her Anna can feel a little too aloof, particularly when alongside Cox's vulnerable performance. (It should be noted, Gus the Dog manages looking despondent – not quite Messi from that acclaimed drama, he remains a scene-stealer.)
The film attempts to provide depth to Anna and Russ's relationship for moments when the dog is absent – which is unfortunate, considering Merv is by far the best part of this feel-good picture. Unsurprisingly, it just about gets by. The catalyst for their original breakup would feel more nuanced with more screen time and more subtle storytelling. Ultimately, Merv is slight and sweet, hitting every expected note. Crafting a story about dog co-parenting is not terrible – but I wouldn't call it a stroke of genius.
- Merv becomes available on the Amazon platform this December.
